The ESC 2025 in Switzerland could be hosted by HeidiBOT, a humanoid robot connected to GPT-4o. The head could be commissioned from Hanson Robotics, RealDoll, or other companies. It would be worth considering whether a Figure 01 or similar model could serve as the basis. This would allow HeidiBOT to move naturally on stage and be part of a performance itself. Using GPT-4o or comparable language models, she would be able to speak a Swiss-German dialect, High German, English, and French. Rhaeto-Romanic should also be audible, as was the case with @llegra, a chatbot for Vallader. Switzerland could thus present itself as a country with a high level of scientific expertise, innovation, and a sense of tradition. Critics will miss the human touch and commitment. But this could be taken over more by the musicians, who are often just caricatures of themselves. They could have their say on stage and talk and discuss with the audience. A human co-host could also absorb this criticism. Another possibility would be to realize HeidiBOT as an avatar or pseudo- or quasi-hologram, similar to the ABBAtare in London. HeidiBOT could – in whatever form – look like Heidi from the booklet “AMERICAN SMILE” by Oliver Bendel. At her side would be a goat, of course. And Peterli, if he’s well-behaved (Image: Ideogram).